Shulou(Shulou.com)11/24 Report--

On the evening of February 25, a unique water non-legacy drama was staged in the Jinjiang River of Chengdu Dongmen Wharf. Four non-legacy artists from Sichuan, Gansu, Guangxi and Shaanxi successively boarded a stage in the shape of nearly 100 square meters of mobile phones in the center of the water. for thousands of spectators and users of the Kuaishou live broadcast room, they brought non-legacy performances of Sichuan Opera, Gansu Road Love Shadow, Lion Dance in Hezhou, Guangxi, and waist Drum in Ansai, Shaanxi Province.

According to reports, this Chengdu water non-heritage drama was initiated by our studio Kuaishou We. That night, Kuaishou organized a live performance in the Jinjiang River, and broadcast live through the Kuaishou account of non-heritage artists, showing the atmosphere and elegant demeanor of Chinese non-heritage culture and Sichuan non-heritage. South Korean director Bai Peicheng, who participated in the project, admired the Chinese intangible culture and was surprised by the audience's enthusiasm for the intangible culture.

The stage carrying the non-heritage performance is designed to be in the shape of a mobile phone, 14.27 meters long and 7 meters wide, with a total volume of nearly 100 cubic meters.

According to reports, the design concept of the stage comes from the conceptual creative poster created by Kuaishou in cooperation with the internationally renowned CGI (computer generated Image) team Illusion. The Kuaishou interface on the mobile phone is exaggerated into a large theater filled with a variety of audiences, and Kuaishou users perform their non-legacy skills in the center of the theater.

Like the mobile phone stage floating on the Jinjiang River, which carries real non-heritage artists to perform on it, it means that the emergence of short video platforms such as Kuaishou has given more attention to the traditional minority non-heritage skills. Is also confirming the activity of the slogan, open Kuaishou, to leave a bigger stage. The organizers hope to stimulate everyone's love for the traditional culture through such an event, and usually on the Internet, they can pay more attention to the non-heritage culture and give more encouragement to the non-heritage artists.

The performance and atmosphere at the scene were widely praised by the audience, and many netizens posted wonderful performance clips on the social platform, commenting on "Shadow Shadow, Lion Dance and Ansai waist Drum are all shocking. I really feel the breadth and depth of Chinese culture for the first time." some netizens said that "there is another reason to like the city of Chengdu, which is internationalized, enthusiastic and will retain the most authentic things."

According to Kuaishou staff, Kuaishou has been committed to the promotion of non-heritage culture and the support and promotion of non-heritage users, which coincides with the promotion and protection of African heritage and traditional culture in Chengdu. Therefore, Kuaishou chose to land the water stage of this non-heritage project on the Jinjiang River in Chengdu.

"non-heritage is an important part of the Kuaishou community." In Kuaishou, a non-legacy video is released every 3 seconds, with the coverage rate of national non-heritage projects reaching 96.3%. The emergence of Kuaishou makes it spread to the whole country and even all over the world through the Internet, breaking through the restrictions of region, space and crowd. The non-legacy on the fast hand is being interpreted in a larger dimension. Kuaishou, let the non-legacy inheritors really out of their own side of the world, to a bigger stage.

According to reports, this stage four non-legacy performers, are Kuaishou platform users. Most of them have been faced with the problems of uninherited traditional skills, lack of performance opportunities and livelihood affected. Because of Kuaishou, they have received unprecedented attention. They not only rely on Kuaishou to have new income and improve their lives, but also let the old craftsmanship coruscate new vitality in the era of short video.

Wei Zongfu, a shadow entertainer from Gansu Province, is not only the class leader of the Wei family, but also an authentic farmer in northern Shaanxi. Wei Zongfu embarked on the road of shadow performance from an early age, which lasted for forty years. However, with the development of the times, people's ways of entertainment have been turned upside down, and the shadow shadow has gradually declined. For the sake of the beautiful meaning of the prosperity of shadow shadow, Wei Zongfu changed "Wei family class" to "prosperity class", but there were still few viewers. In 2018, Wei Zongfu registered the Kuaishou account @ Wei Zongfu with the help of his daughter.

Today, Lao Wei has more than 200,000 fans in Kuaishou, and his life has been improved due to the income of short video creation, which makes him more able to settle down and inherit the traditional shadow of love. Because of the larger stage of Kuaishou, his shadow also walked out of the mountain and was seen by the whole of China and even the whole world.

Wang Shihu, a descendant of waist drum from Ansai, Shaanxi Province, has lived on the loess slope for generations, and his biggest hobby in leisure time is playing waist drum. Wang Shihu has been playing waist drums for more than 20 years since he was a child. He, who is well-known locally, has also performed all over the country, and has even been invited to perform in Tiananmen Square twice. But Wang Shihu soon realized that the soul of Ansai waist drum is on the loess slope, and only by stepping on the yellow soil can the waist drum with the most flavor of northern Shaanxi be played. So he returned to Ansai and led the villagers to perform in his hometown. But Wang Shihu also has to face the livelihood problem of a decline in performance and a sharp drop in income.

In 2016, he registered an account @ Ansai waist drum third brother in Kuaishou, and Wang Shihu gained 290,000 fans for his authentic Ansai waist drum skills. Standing on the larger stage of Kuaishou, even on the loess slopes, Wang Shihu and his Ansai waist drum can be seen by people from all over the world. When he danced, there was not only loess flying, but also the vitality of Ansai waist drum from then on.

Huang Guosen, a lion dancer from Hezhou, Guangxi, founded the Jiangxiatang Lion Dance team there. Huang Guosen's lion dance team has a major feature-- teaching children to learn lion dance for free. Through the word of mouth of the children in Hezhou, Huang Guosen's lion dance team gradually grew. The young apprentices are full of enthusiasm for learning lion dance and are eager to perform on stage. In order to protect the children's dreams, Huang Guosen is constantly looking for a stage where children can perform. As a result, he has lost a lot of opportunities for commercial performances.

In 2016, Huang Guosen signed up for Kuaishou account @ Fat Brother Lion Dance-Huang Guosen, and uploaded and released a video of himself teaching children lion dance, which has attracted more than 250000 attention. Kuaishou provides a bigger stage for Huang Guosen and this group of "small non-survivors". Through Kuaishou, Huang Guosen's lion dance team has more opportunities to perform. Their lion dance performance will be seen by more and more people, igniting the fire in the hearts of more people who love lion dance, which is a non-legacy culture.

Four simple non-legacy performers staged a unique water drama at the East Gate Wharf of Jinjiang, which has both ancient and modern feelings, harvesting the enthusiasm and encouragement of audiences on both sides of the River. The atmosphere reached its peak in the drumbeat rhythm of Ansai waist drum. At the strong request of audiences on both sides of the strait, Wang Shihu from Shaanxi and his partners returned to perform Ansai waist drum several times. The children from Hezhou also returned to perform the Hezhou lion dance again amid cheers and won cheers.

The exhibition ended perfectly with applause and encouragement from the audience. The collision between traditional non-heritage and innovative water stage has once again aroused Chinese people's love for Chinese traditional culture, and it just proves that the cultural treasures deposited for thousands of years will be reborn again when they collide with the trend of science and technology.

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